After reading Kristine Kuramitsu’s
article I wanted to find out more about historical records from the
Japanese-American interment camps, which led me to a 2006 New York Times article The War Relocation Association closely
monitored the photographs and films that documented life in the interment
camps, but in 2006 a series of photographs by Dorothea Lange were uncovered in
the National Archives. While she
may be best known for her documentary style photographs of the Great
Depression, these 800 photos captures the emotions and lives of the
internees.
Originally hired by the WPA to
document life in the camps, Langue chose to document the truth rather than to
portray a happy, normal living environment that did not violate international
laws or mistreat the occupants.
The government ultimately confiscated her photos and kept them buried
for over fifty years. Her photos stand
in stark contrast to Ansel Adams’s photos of life in the camp at Manzanar,
California that showed heroic poses and used the beautiful Sierra Mountains as
a background. The WPA consistently
restricted Lange’s access to the camps, refusing to allow her to photograph
wire fences, watchtowers with searchlights, armed guides, or any signs of internees
resisting. They discouraged her
from talking to the very people she was hired to photograph. Langue unflinchingly photographed
hospital patients in beds outside next to the latrines, schoolchildren sitting
on the floor because there were no desks or chairs, and horse stalls that
housed families. Lange also chose
to emphasize the Americanness of the internees, showing a young boy reading a
comic book, a boy in a baseball hat, and a United States army volunteer helping
his family move in to a camp. I
began googling Dorothea Langue images and couldn’t stop. It’s really striking to see the
snapshots of life in the camps that she managed to capture. 100 of her images
were published for the first time in the 2006 book, Impounded: Dorothea
Lange and the Censored Images of Japanese American Interment.
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